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Social TV Round Up (March 11, 2012)

As TV becomes increasingly social, social overkill is a growing concern.  Audiences who DVR their programs may find ‘live’ incorporation of social feeds a stale and potentially irksome feature. Furthermore, industry insider Tom Cunniff, raises a simple yet very important question: what about people who turn on the TV to tune out? He is referring to the ‘lean back’ audience who wouldn’t want to ‘lean forward’ even if served with the opportunity.  They don’t want to make more work for themselves – they simply want entertainment.

Perhaps we should consider the fact that every show on television is not equally suited for Social TV. Certain genres, and perhaps specific shows among genres, may be equipped for social in different ways. Some shows might find success in incorporating on air social integration while others would benefit from providing that additional content via the second screen. Still other programs might do well to leave audiences in control, inviting their off-color remarks and unsanctioned opinions to grow a more organic community. Such a community could fill creative holes a network or producer has overlooked, and might do so in ways that wouldn’t be appropriate for the latter parties to attempt.

In sum, there is no blanket Social TV formula that can be applied across all shows on air. The way forward is to identify what aspects of social are best suited to the program even before it is put into production, thereby allowing the social features to be baked in at a deeper level.  That is what ‘Extra’ host, Maria Menounos, Al Jazeera and Channel4 (to name the few cited below) are doing. Even brands, such as Ford, are setting social as an initial target.

While the new playground of Social TV has invited many a newcomer, there has been talk that second screens market will begin to consolidate. This week TVGuide, acquired Fav.tv in a move that would suggest this process is underway. Still expansion seems to be happening at a greater rate, just look at TvTak, IBubblr, Wayin and Fanatix (below) which have all jumped into the news recently.

All of this and much more is covered in the articles of this week’s Social TV round-up… Continue reading

The Three Four Recap 2012

Social TV detractors claim that a barrage of secondary content and social features can be distracting and even intimidating to the average television viewer.  Despite the fact that this information influx is most likely a non-issue for the TV junkie who has deliberately opted-in to such services, the worry caused by data overload is legitimate.  Reconciling these concerns, by figuring out the right ratio of TV to social and supplemental content, will certainly solve a great number of problems in the growing industry.  Fortunately, this is exactly where many companies are focusing their resources.

Some critics have asserted that second screens move viewers further out of range for advertisers; I believe this is a fallacy. There is always the opportunity to generically screen sync ads – but if the notion of creating transmedia experiences intimidates rather than excites the agency, well then, we should really be having another discussion.  All this is to say nothing of the personal data a second screen has the potential to capture!

But for every cynic there are a dozen supporters. TVGuide has just published the latest bit of empirical data, which suggests social media is driving engagement and fueling retention when it comes to TV. A separate survey conducted by ANA/Forrester found media budgets are increasingly diverting dollars to TV and Digital ad buying.

Also promising, Netflix, a service once known only for movies, is now thriving off its TV offerings.  Meanwhile, movie studios are adapting their bonus content” to second screen format in hopes of bolstering DVD and Blueray sales.

Finally check out some of the exciting new plays in the social TV space from folks like Discovery, NASCAR, Umami, MTV, Audible Magic and RUWT.

All that and more to follow in this week’s Social TV recap… Continue reading

The Two Twenty Six Recap 2012

The attention splitting, information overloading potential of a two-screen world has irked some and caused concern for others. This week in the press, other criticisms of Social TV popped up in a number of sources. Some have called into question the relevancy of social engagement in the world of time-shifted TV, but the most poignant criticism is that Social TV is being hyped to a disproportionate degree – with the implication that its true value is markedly less.

Tess Alps argues that the number of tweets related to a show pales in comparison to the number of actual viewers, but I would counter that the number of “actual viewers” is only an estimated figure extrapolated from a tiny subset of the population. The amount of actual tweets is, in some cases, much larger than that sample. If the data were magnified in a comparable way perhaps she would be more impressed.

At any rate, others like venture capitalist Vinod Khosla seem to think, if anything, Social TV is under-hyped.  Agency execs and networks and are attempting to define best practices, while even fans are using new tools to their advantage. In the case of Fringe, organized fans are flexing their power in efforts to save the show.

Some of the other hot stories this week include brands creating apps for  Facebook’s Timeline, a new show that leverages Facebook participation, Streampix (a new service from Comcast), Zap2it’s leading approach to online publishing and interviews from Zeebox’s Anthony Rose and Jason Arv of Dish.

For all of that and more keep reading… Continue reading

The Two Nineteen Recap 2012

Television “networks” fail when they divide the viewing community via Lance T Peterson
“CBS executives, or whomever made the decision not to broadcast [the Grammy’s] live, failed to understand a few things” about social media, viewers and “the now communal nature of their product”.

NBC Universal’s New Olympics Challenge: Screen-Jumping via Ad Age
“NBCU has enlisted Google and ComScore to analyze what is known in the industry as ‘single source’ consumption, or individual, unduplicated viewership patterns, across video shown via TV, mobile devices, personal computers and tablets…Advertisers absolutely want to begin to reach consumers across all these platforms, and we need, as an industry, to understand how these consumers are behaving said Alan Wurtzel, president-research and media development for NBC Universal) … ‘It’s almost like the old metrics don’t apply anymore,’ said Mr. Wurtzel. ‘If you want to see the future, you have to invent it.’ ” Continue reading

The Two Five Recap 2012

The One Twenty Nine Recap 2012

Executive producer for CBS, Susan Zirinsky doesn’t consider social media engagement a means to score higher ratings, but she is still enthusiastic about the power of new platforms. Offering a glimpse into the production side of social television, she describes how her team guides programs through social media channels while on air, and how they maintain dialogues off air.

Telemundo is making an aggressive social media push in their new novela Relaciones Peligrosas. Sixteen characters will have individual twitter accounts run by Telemundo’s social media team, and twitter feeds will interact in real-time with plot lines on the show.  The hashtag for the show will stay on screen for the duration of the telecast.  The promise of a successful monetization of a social TV program provides the motivation for the experiment. Continue reading

The One Twenty Two Recap 2012

The Wrap Media declares 2012 is the year of must-tweet TV and claims new roles for social media in the TV arena will continue to be defined. On-air social integration is becoming the norm; talent is more comfortable making calls to action and viewers are more comfortable responding. Networks are listening to more than the Nielsen ratings, but also to “Twitter mentions, second screen streaming and other supplemental numbers when pitching to advertisers.” The Wrap declares networks are moving to adopt new practices at a faster rate than advertisers.

Twitter is entrenching itself in the culture of television by creating universally shared experiences and offering a real-time, virtual water cooler. The Guardian explores how deeply the micro blog is embedding itself into the medium and what it means for viewers. Continue reading

The One Sixteen Recap 2012 (MLK Day)

Nielsen released its consumer usage report on the state of the media.  The report shared several great infographics highlighting how and where people are consuming video.

A ‘top trends’ article published on the Ogilvy PR blog lists social TV at number one; a good indication that advertisers are listening carefully to the market.

The UK’s MarketingWeek also illustrates several reasons advertisers should pay attention to social TV. They suggest that being the first to capitalize on new opportunities shouldn’t mean sacrificing creativity or innovation.

The cry going out to advertisers reaches New Zealand.
  Kaleb Francis of Marque Creative discusses how IntoNow, Shazam, Twitter and YouTube are socially engaging with consumers and changing the market. Continue reading

The One Eight Recap 2012

LostRemote published a list of 12 exciting predictions for social TV in 2012. Claims include the emergence of more social TV startups but also the consolidation of the second screen market. Also of note are the assertion that Nielsen will buy a social TV data company and that social TV producers will become a new standard position in the industry.

Mass Relevance, a social media curation company, offered a few pointers TV executives may want to hear. Immerse yourself in the Twitter experience, familiarize yourself with its capabilities, acknowledge the link between Twitter and TV and embrace the fact that social buzz is becoming the new metrics tool are a few of their earnest suggestions. Continue reading

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